The BF-1 is an all-purpose interface for any instrument with a pickup that enhances clarity, detail, audibility and dynamics whether used between the instrument and amp, the instrument and a PA or recording device or all of these at the same time. Whatever you plug into it just sounds better. This..
The SFP-60 is a two-channel, full-featured all-tube mic pre designed to make microphone signals pop in a mix without the need for other enhancement. We view the microphone and the preamplifier as a single unit - the signals coming out of a microphone are useless by themselves, and we only know what..
The concept behind the BF-S is simple. We took the audio circuitry of the BF-1 and coupled it with the linear power supply from the SFP-60. The result? Astounding clarity, headroom and noise specs that only come with the nearly-noiseless high voltage that a linear power supply can ..
The idea behind the Hornet is simple: give people an affordable, portable preamp/DI that can go toe to toe with any of the $1000+ preamps on the market. After years of development, it’s here. An ultra low-noise front end that gives signal the creamy thickness, bite and power that built-i..
The concept behind the SFP-30 is simple: Take the exact audio and power circuitry from the SFP-60, put a single channel into a tabletop format, and make it less than half the price of the SFP-60. Done. Everything about the SFP-30 signal path is identical to the SFP-6..
Four channels of analog bliss, with color to spare.First came the Hornet — an affordable, handheld preamp/DI that sounds as good or better than any of the $1000+ solid state preamps on the market. Discrete transistors and transformers on both the input and output – combined with the ..